October 2025
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Spider-Man: Far From Home is a failure of a good superhero, Spider-Man, or movie in general. It does no justice to the character of Spider-Man, belittling him and erasing his identity in favor of molding a replacement Tony Stark. It similarly damages and pushes aside the character of Fury solely for an irrelevant twist. The
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Tropes can vary wildly—from soft and cuddly interactions like “grumpy x sunshine,” to the infamous “enemies to lovers,” where authors will tout all sorts of disturbed interactions we’re supposed to find “appealing” or “romantic.” MCs can be “cinnamon rolls,” or “unhinged and morally gray.” Romance can be sweet to “dark”—like your favorite brew of coffee.
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The Cane house—the stuff of small-town legends. A wreck that had been condemned long before all but the town’s oldest residents had been born. Misguided souls sometimes attempted to arrange a petition to have the site preserved; but they were always mocked out of possibility, and their efforts faded to be recycled when the town
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Spider-Man: Homecoming was at best a decently action-packed, surface-level superhero movie; and at worst a soulless and confusing remake that sacrificed the journey of the actual MC to create yet another (rather unnecessary) installment in the Iron Man saga. * * * Disclaimer that these are my opinions, and you’re not an evil person for
